Showing posts with label BBC. Show all posts
Showing posts with label BBC. Show all posts

Tuesday, 19 March 2013

BLOODIED TOGAS! THE RETURN OF 'I, CLAUDIUS'

Blood and glory- an empire witnessed in I, CLAUDIUS. Images: BBC.

The Ewings, Carringtons and Borgias may know a thing or two about family conflict, but they're still in the nursery compared to the court of the Roman Empire at its peak of power, debauchery and murder, as seen in the history telling of Robert Graves supreme dramatic epic: I, CLAUDIUS, adapted by Jack Pulman for the BBC, and one of the corporation's greatest dramas - a true international success that has indomitably served the test of time. It's now getting a deserved seven part re-airing on the UK's BBC 4, weekly from tonight.

A respected theatre talent, Derek Jacobi launches his TV acting career to great acclaim and audience appreciation with his incredible lead performance as the likable, clever and all-round decent Claudius-the overall storyteller/narrator of this fine and often bloody piece charting the history of the nest of vipers power players that ruled an empire across the world, and of their eventual and deservedly epic fall from grace. Claudius's only weakness was to be born with a stammer, which hampered his progress amongst his family, friends and peers, who all considered him the runt and fool of the litter when, in actuality, he was anything but. Intelligent, clever and resourceful, knowing when to keep his head down and say the right words at the right time (sometimes, even, caught in events by accident or through the vagaries of cruel fate), he learns to adapt and survive the many hurricane-like incidents that the mistress of history throws at him...

Derek Jacobi as the downtrodden Claudius.

With the kind of supporting cast that most casting directors these days would kill for, including Brian Blessed as the wise but brash Augustus, Sian Philips as his wife- the true serpent in Eden- Livia Drusilla, and John Hurt and Christopher Biggins, both of whom thoroughly scare and totally repel as the insane figures of Caligula and Nero, there's also a whole wealth of superb supporting stars adding much to the tapestry, including a curly wigged Patrick Stewart as Guard Commander Lucius Aelius Sejanus, Ian Ogilvy as Nero Claudius, Margaret Tyzack as Antonia Minor, Patricia Quinn as Livilla, and so, so many more...

John Hurt, truly terrifying as Caligula.

BAFTA winning, I, CLAUDIUS is rife with classic moments of character and incident, quiet beauty opposite brutal terror. Pulman's memorable adaptation is concise and effective, capturing Grave's work beautifully for the small screen. Shot entirely in studio, the direction by a Herbert Wise (also launched onto an even greater film/TV career from this success) is lavish and atmospheric-a storyteller who knows how to get the best out of his actors and the environment they bring to life so vividly and decadently. If you've never seen it before, you're in for a treat-one of the real gems of mid-to-late seventies British television.

Iconic title sequence: I Claudius episode 1 A Touch of Murder opening - YouTube


Saturday, 16 March 2013

KOOL TV REVIEW: 'DOCTOR WHO - THE AZTECS' SPECIAL EDITION DVD


A perilous time in Earth history, as the Doctor (William Hartnell) encounters The Aztecs. Images: BBC.

DOCTOR WHO – THE AZTECS (SPECIAL EDITION)

A two-disc DVD set (incorporating the GALAXY FOUR reconstruction)

Starring William Hartnell as the Doctor

Written by John Lucarotti

Directed by John Crockett

Released by BBC CONSUMER PRODUCTS


Reviewed by Scott Weller


“You can’t re-write history. Not one line!”

There’s beauty and horror, heartache and catastrophe in both the past and future for our original white haired, lapel clasped Time Lord hero and his brave companions in the latest supreme B/W Classic DOCTOR WHO story, The Aztecs, now available on DVD from the BBC.

Daleks, Voord and Sensorites from the outer space stories of William Hartnell’s first exciting year are probably the most well-remembered by viewers and fans, but the classy historical stories that alternated between them always proved a fine and worthy counterbalance, what with an epic journey to Cathay in Marco Polo, our heroes facing the unwilling advances of Madame Guillotine in The French Revolution and now here, arriving on thirteenth century Earth during the tumultuous and violent time of the Aztecs.


Accidentally believed to be the reincarnation of a deceased god, Barbara (Jacqueline Hill) needs advice from the Doctor.

All of our time travelling heroes get a strong share of the limelight in John Lucarotti’s well plotted, tightly written story of honour, deceit and tragedy-an equally classy successor to his previous epic and highly acclaimed, now seemingly lost forever, Marco Polo. William Hartnell as the Doctor gives one of his very best performances- not yet the doddery old boy he’d be in years two and three-here he’s intelligent and captivating, certainly a citizen of the universe, and a gentleman to boot! Our normally frosty champion of the cosmos even gets a chance to show some affectionate tenderness in his scenes with the mature Cameca (an understated but effective performance from Margot Van der Burgh) –and even a touch of comedy: the look on his face when he discovers that he’s unknowingly become engaged to her is priceless!

The Doctor spends some quality time with Cameca (Margot Van der Burgh)...
...whilst Ian (William Russell) becomes an Aztec Warrior.

Meanwhile beyond the Doctor’s necessary antics and investigations in the gardens of the elderly, his granddaughter Susan (as played by Carole Ann Ford) puts her foot down against an arranged marriage with a chosen sacrificial nobleman, whilst William Russell’s school teacher Ian Chesterton shows continued heroism and mettle when he is manipulated into becoming an elite Aztec warrior, facing competitive wrath from an ambitious and very dangerous rival, Ixta (Ian Cullen). But the character who truly captures our attention in this story is Barbara (as played by the late Jacqueline Hill), Ian’s fellow schoolteacher caught in the adventure of a lifetime, now literally within her specialized subject as a history teacher, accidentally declared by the Aztecs as a reincarnation of their late god Ytaxa, whose attempts to change their timeline, and stop the bloody ritual sacrifices they offer to their gods, incur not only the wrath of the Doctor but the fascination and fear of the noble high priest Autloc (a bewildered but warm performance from Keith Pyott) and the zealous machinations of Tltoxyl (John Ringham, excelling as one of the first genuinely nasty human baddies in the series at that point), convinced that Barbara is a fraud and dedicating himself in the pursuit of proving his claims, eager to sacrifice her friends in the most diabolical of plot machinations…

The cunning Tltoxl (John Ringham).

As the period of the next human sacrifice nears, and Tltoxyl’s final murderous plans take shape, our TARDIS heroes, previously separated from their craft, have to critically pull their resources to find a way back into the secret temple entrance from which they originally emerged…

Barbara confers with High Priest Autloc (Keith Pyott).
Egged on by Tltoxyl, Ixta (Ian Cullen) tries to kill Ian.

Showcasing some of TV and theatres then finest character actors, The Aztecs stagey atmosphere works in its favour. Not only one of the highlights of the early B/W years of the show, this is also a critical success for the BBC in general: a perfect fusion of writing, acting and production, strongly realized by the underrated actor’s director John Crockett, with some excellent production design from Barry Newbery (handling all the design work for WHO’s historicals that season). Special mention also to Richard Rodney Bennett’s subtle but memorable music score, presenting the nobility and tranquility of the Aztec people and their time period, mixed with the oncoming danger and duplicity of the dangerous Tlotoxl.

The Dhravin women encounter a Chumblie in Galaxy Four.

Getting just a newly restored version of this genuine classic story would normally be enough for this diner’s platter, but BBC CONSUMER PRODUCTS have given us a second disc of equally polished work linked to the recently recovered “lost’ episode of the Hartnell era, Season Three’s intriguing sci-fi tale re-imagining the concepts of beauty and the beast: William Emm’s much under-rated GALAXY FOUR, of which its one and only existing episode (part three- Air Lock) glistens in Derek Handley’s well produced audio/visual remastering, within a special reconstruction of the original audio tracks, alongside animation, specially presented telesnaps and one previous surviving clip saved during the late seventies. Listening to the full surviving off-air audio tape recordings of the four-part story a few years back was all well and good, but there’s truly nothing like seeing what the show was supposed to visually look like, and Airlock proves a golden twenty five minutes in delivering such fascinating examples of its storytelling (I’m always been fascinated by the way the B/W series-WHO and others- then presented their sci-fi environs), backed up by some confident direction from Derek Martinus.

Maaga (Stephanie Bidmead, seated) with her soldiers.

There’s also some genuine girl power on display in this episode, too, with companion Vicki (Maureen O’Brien) firmly to the fore, having a lot more to do in this story in general as she faces up to her female adversaries, the clone warriors known as the Dhravin, who, on screen, come across much better than they appear in the early publicity photos for the story, of which so much of our interpretation of GALAXY FOUR had previously been based. Of the female guest stars, the late Stephanie Bidmead, in just Air Lock alone, gives a brilliant and powerful performance as their hate fuelled leader, Maaga-again another first for WHO-the series first true female villain, so desperate to leave her trapped planetary environs, now on the brink of destruction, unblinkingly prepared to kill off members of her own cloned kind in order to achieve her goal. In one monologue that Maaga gives to the camera and we the viewers, Bidmead is particularly chilling.

The alien Rills to whom Maaga has such a xenophobic hatred also prove an intriguing race of creatures for the series, whilst their little robot servants, the Chumblies-half sized anti-Daleks appealing to the kids- are well operated and look good in the studio and film sequences (one of them operated by the iconic butler servant to the mysterious Number Two, from THE PRISONER TV series: Angelo Muscat).

Beyond that golden twenty five minutes return to the archives in 2011, the rest of the reconstruction, utilizing screen grabs and animation, supervised by Derek Handley is well done and you can see that a lot of time and dedication has gone into the overall project both by him and his team. Splendid work.


Another Ealing Studios publicity image for Galaxy Four.

On the supporting extras front of the set, disc one of THE AZTECS has all of the original supporting material from the 2001 release: the audio commentary by Russell, Ford and late producer Verity Lambert, a lengthy behind the scenes talk with gust actors John Ringham, Walter Randall and Ian Cullen, who talk about working on the early days of WHO, being opposite star Hartnell and the overall, often terrifying process of making “as live” early sixties television at the BBC. Another lengthy and equally interesting interview is had with Barry Newbery about the challenges of designing the story with very little research material then available on the Aztecs. Plus, an original BLUE PETER 1970 short on the real-life story of the Aztecs and their fateful encounter with the Spanish, in Cortez and Montezuma, a short and silly look at Making Cocoa, six character introductions to the story, an optional Arabic soundtrack for the show's fourth episode, a look at how several of the WHO range releases have been given top-notch restoration, a photo gallery of rare colour and B/W images, more PDFs, production subtitles of the always highest caliber, and a now pointless TARDIS-CAM ditty which shows our legendary space vehicle arrived on a sandstormed alien world.

A tense time for Barbara in The Aztecs.

Disc Two has all the new material, including the aforementioned GALAXY FOUR reconstruction, the latest Doctor Forever! documentary examining the evolving story of the shows merchandise beyond the success of the Daleks, more fun and encompassing production notes, PDF RADIO TIMES listings, and subtitles. Back to The Aztecs, there’s also a dated but reasonably watchable 1969 drama/documentary on the Spanish conquest of Mexico, most notable for its music, provided by the iconic Delia Derbyshire and the BBC RADIOPHONIC WORKSHOP.

Two other rare curios linked to the Hartnell era make for fine inclusion: the first being the earliest skit on the show with Dad's Army's Clive Dunn playing a Doctor-esque figure in the surreal Michael Bentine comedy series It’s a Square World. Then there’s A Whole Scene Going, magazine programme which presents brief but worthy behind the scenes footage from the making of the second colour Dalek film staring Peter Cushing and an interview with its popular director, Gordon Flemyng.

Finally, Coming Soon-wise, there’s a cold adventure on the horizon for Patrick Troughton’s incarnation, as the Ice Warriors make their resurrected Martian steps anew against Earth, in The Ice Warriors!

KOOL TV RATING: Enjoy William Hartnell’s DOCTOR WHO era at the top of its game-another splendid classic series release for the anniversary year. 5 out of 5

Purchase the DVD here: Doctor Who: The Aztecs (Special Edition) [DVD]: Amazon.co.uk: William Hartnell, Carol Ann Ford, William Russell, Jacqueline Hill: Film & TV

Wednesday, 27 February 2013

THE (DESIGN) POWER OF THE DALEKS. REMEMBERING RAYMOND CUSICK.

The nightmare begins! Barbara (Jacqueline Hill) encounters a Dalek for the first time. DOCTOR WHO had now arrived in the public consciousness. Images: BBC.

What the hell was that?

The burning question on five million viewers minds at the end of the first exciting episode of William Hartnell''s second story as DOCTOR WHO, as his wary travelling companion, Earth school teacher Barbara Wright (Jacqueline Hill), found herself trapped in an elevator whilst investigating a mysteriously deserted metal city- its opening doors revealing a shocking and truly alien sight ahead.

And then the screaming starts...

Inspiring genuine water cooler talk across the country's offices and beyond, helping to propel the next episodes ratings ever nearer to seven million (and then even higher-nine million- with the subsequent five parts), that master of adventure storytelling Terry Nation always knew how to keep 'em wanting more, saving that very special second episode for the final reveal of "the creature", brilliantly handled by director Christopher Barry, as the mysterious presence, the Daleks, were finally, scarily revealed to our heroes and the viewers: once human beings who, after a long war and nuclear holocaust against the rival planetary race whom they despised and feared-the Thals, had mutated and wore metal casing of incredible sophistication for their very survival.  Designed by an inspired Raymond Cusick, who sadly passed away this last weekend at the age of 84, the Daleks were an instant success-and the very antithesis kind of sci-fi idea that the show's original deviser, Sydney Newman, despised and didn't want appearing in it, but which, primarily through desperate happenstance and luck behind the scenes (spurred on by the enthusiastic young producer Verity Lambert), made their gliding, tank-like appearance and screeching threatening voices into the series a reality, and proving themselves a veritable smash hit with children and the series family audiences all over the country, not just from 1963 but to this very day fifty years on.

PART1/2 Creation of the Daleks - Doctor Who 1963 - YouTube

The Doctor (William Hartnell) and Susan (Carole Ann Ford) are captured by the Daleks in the creatures first appearance.

There have been over twenty television adventures in which our hero The Doctor has fought the Skaroan metal meanies, and, thankfully for us, he's never quite been able to kill them off. At times over the years, as production design and film making techniques have evolved, there have been ideas or plans to create a new physical appearance for the Daleks. But at the end of the day, it it ain't broke don't fix it, as Cusick's original designs, with a few little fixes and colour scheme changes here and there, continue to impress and capture imaginations as the ultimate war machine, the ultimate example of technology over humanity. And the ultimate face of hate and xenophobia.

Dalek design originator Raymond Cusick.

A staff designer at the time the original story was made, earning little credit or recognition, and making little to no money from the way the BBC and Terry Nation went on to commercially exploit the classic enemies, Cusick, despite his professionalism and continued talents beyond WHO, was obviously very bitter and angry for a long time as the popularity of the Daleks went on and their design became truly iconic. Thankfully, by the time of the eighties onwards, WHO's worldwide fandom had become fully aware of his work, recognising and admiring his vital and immense contribution to the show, not just with the aggressive alien pepperpots but also the other stories of the Hartnell era to which his imagination had been so similarly fired up.

"This is only the beginning..."

DOCTOR WHO, after a slightly shaky start at the beginning of time with some smelly cavemen, had finally come into its own with The Daleks that December of 1963, winning the public's affection and dedication for years to come.

For more on the shows amazing behind the scenes origins, purchase the excellent 2entertain/BBC WHO set: Doctor Who - The Beginning An Unearthly Child 1963 / The Daleks 1963 / The Edge of Destruction 1964 DVD: Amazon.co.uk: William Hartnell, Carole Ann Ford, Jacqueline Hill, William Russell, Waris Hussein, Richard Martin, Christopher Barry, Frank Cox: Film & TV


Saturday, 16 February 2013

SMEGS IN SPACE! HAPPY 25TH ANNIVERSARY, "RED DWARF"!

Unarmed and dangerous! The crew of RED DWARF ponder their night of anniversary partying. Image: DAVE.  

Most women believe that men improve with maturity, but they wouldn't be saying that if they bumped into those intergalactic bums of the universe wandering mining vessel Red Dwarf: older but not wiser curry loving, poor guitar skilled, sex-mad Dave Lister (Craig Charles)-not exactly the greatest example of humanity, git Space Core snob hologram Arnold Rimmer (Chris Barrie), egotistically vain clothes couture Cat (Danny John-Jules) and the android domestic servant and all-round ship custodian with the aim to please, Kryten (Robert Llewlellyn), all of whom ineptly leave a trail of wanton calamity, time-line altering, dimension bashing, spacial destruction, and all-round mirth with their continued travels where man has gone so much bravely before. The inimitably hapless gang of lovable idiots are now celebrating their 25th Anniversary on the UK's DAVE HD channel, with an entire weekend devoted to the classic show, created by Rob Grant and Doug Naylor, and lots of classic seasons and episodes for fans to enjoy.

Red Dwarf Opening Titles Series 1 - 8 - YouTube
50 Best Red Dwarf Quotes - TV - ShortList Magazine

With its recent resurrection success on the UK's DAVE- where it was genuinely nice to have the actors/characters back on our screens after such a long absence- garnering the channels highest ratings and warm critical notices, a further all-new season from Naylor is in the works: one that I personally hope will generate more original belly laughs than pleasing nostalgic smiles next time round! Pray for the once ordered universe: RED DWARF's misadventures will continue...

Happy Smeg-Day, Guys!


Check out our previous RED DWARF feature here: "SMOKE ME A KIPPER..." THE WELCOME RETURN OF "RED DWARF"

Wednesday, 2 January 2013

RELIABLE AND EXPENDABLE! 'THE GOODIES' RETURN...

Cycle power makes a comeback with THE GOODIES. Image: BBC.

UK TV fans of the ever enduringly quirky, surreal, often laugh-out-loud comedy and slapstick inventiveness of the classic seventies BBC series THE GOODIES, which well and truly launched the back in the day careers of writers/actors Graeme Garden, Bill Oddie and Tim Brooke-Taylor (the latter's biro proving invaluable to the creative process!), will be pleased to know that their very first season from way back in 1970-seven episodes- is now available from this month to view on the BBC channel of the VIRGIN MEDIA ON DEMAND service. Still proving an artistic stigmata to some parts of the BBC management forty-three years on, though the corporation's commercial wing is perfectly happy making continued profit from it where they can, some of these original episodes have not yet been released on DVD in Blighty as far as I'm aware, so this prime factor makes them worth catching. Picture and sound quality are also of an okay standard. As to the actual content of the shows? Well, some look pretty dated in places, featuring the kind of sexism and occasional racism that you just couldn't get away with in these times of political correctness, but there's also no denying that the series format and main characters remain as inspired as ever, alongside some stand out moments that surprised me with some genuine golden belly laughs.

The Goodies opening theme - YouTube

"The Goodies are coming for you, and you, and you..."

 

Monday, 17 December 2012

KOOL TV REVIEW: 'DOCTOR WHO - THE REIGN OF TERROR' DVD


Tyranny and terror await the disguised first DOCTOR WHO (William Hartnell) in the latest classic DVD release: The Reign of Terror. Images: BBC


DOCTOR WHO: THE REIGN OF TERROR

Starring William Hartnell as the Doctor

Written by Dennis Spooner
Directed by Henric Hirsch

Available on DVD from January 28th 2013 from BBC CONSUMER PRODUCTS


The fifth dimension wandering figure of the cantankerous Doctor, his devoted granddaughter and the two at first unwilling and kidnapped Earth schoolteachers Ian Chesterton and Barbara Wright find themselves trapped in the summer of blood and anarchy that is 1786: the most dangerous and perilous era of France’s rebellious past: the time of the great revolution as the blade of the guillotine strikes terror into the hearts of the elite aristocracy, their society and avarice now at the blunt end mercy of the disgruntled mob, in the latest classic monochrome William Hartnell six-part 1964 adventure emerging from the vaults, lovingly restored once again by those fine chaps and chapesses at BBC CONSUMER PRODUCTS, and now with specially commissioned animated episodes filling in the vital gap left by two missing believed wiped episodes.

Starting the tale as a miserable figure annoyed by companions Ian and Barbara, who finally want to get back to the Earth of their 1963 time period, the Doctor, thinking himself master of his time travelling craft, believes he’s successfully achieved their wish, but what should be a parting of the waves amongst pleasant summer-time countryside surroundings quickly turns into a nightmare time caught on anxiety fuelled streets and inside candlelight dwellings, encountering opportunistic betrayal and dangerous liaisons. Where people sell each other out for a piece of stale bread or to avoid paying the ferryman his two gold pieces! There’s certainly no time to stop and smell the roses here, not with Madame Guillotine anxiously awaiting new guests!

As the journey intensifies for our team, there are traitors, spies and the cold reality of imprisonment along the tumultuous way, plus the maneuverings of an English agent at large, the mysterious and facially unknown James Stirling.


The Doctor and his companions meet a young French peasant child.

A strong introduction to the series from experienced film and TV scribe Dennis Spooner- a friend of WHO’s premiere script editor David Whitaker, and soon proving a natural replacement for him in what would be a vacant slot for Season Two- he had a natural skill in mixing character incident and trademark witty humour in equal measure. There’s a general note of subtle somberness about this particular Spooner script, too, but nothing violent or disturbing enough to linger in the minds of family viewers of the time.
The genuine violence and horror of the eighteenth century is mostly talked about rather than shown is this stagey but nonetheless well-written piece.

William Hartnell’s grouchy and intelligent figure, mixed with his child-like curiosity and the ever present streak of nobility, justice and decency, is on fine form, as his journey into the heart of Paris, 1789, sees him take on the role of a regional officer of the provinces-and looking striking in his period attire, too!- in an attempt to recue his incarcerated friends, of which he will also be brought before the great tyrant of French history: Robespierre (Keith Anderson). Clearly enjoying his apparent favourite era of Earth history, the Doctor’s also a bit of a bloodthirsty old codger at times here, bashing several supporting characters over the head at varying points with gusto enthusiasm!

Susan (Carole Ann Ford) and Barbara (Jacqueline Hill) on their way to the guillotine.

Jacqueline Hill as Barbara and William Russell as Ian also have some solid story material to work with, and prove highly resourceful in this dark time-very definitely continuing to prove themselves as being amongst the finest WHO companions of the monochrome era and the entire series overall, but Carole Ann Ford’s screamy and vulnerable Susan proves a little irritating, especially as her likeable character had once showed so much potential in the shows early days. On the plus side, the scenes where the ladies are separated from their male compatriots, first in prison and then ending up in a shelter of a spy house, are generally well-handled. Later, Barbara and Ian have an intriguing encounter with another famous figure from France’s past and future: warlord Napoleon Bonaparte (a fine cameo from Tony Wall).

The Doctor barters for some new clothes.

A noteworthy supporting cast includes Jack Cunningham in a fine comic turn as the prison jailer opposite Hartnell, a solid performance from James Cairncross as the mysterious Lemaitre, Donald Morley as the heroic Jules Renan, star on the rise Ronald Pickup and returning WHO guest stars Roy Herrick and Edward Brayshaw (later seen opposite Patrick Troughton as the enigmatic War Chief in THE WAR GAMES), long before he got stuck with Dobbin the Pantomime Horse in RENTAGHOST.

The Reign of Terror’s direction, from one time only Henric Hirsch, who suffered from exhaustion in it’s behind the scenes making and apparently had visualist help from an uncredited John Gorrie or Mervyn Pinfield on the third episode, is generally pleasing: its early sixties stagey, certainly, but also competent and brisk, and there’s some solid cliff-hangers. Top marks, too, for some wonderful period costume and set design by Roderick Laing, notably the Conciergerie prison- one of the main locales for the story- looking especially good in the film sequences. There’s also some notable model work early on with a burning farmhouse, whilst the story is equally remembered for showing some of the series earliest location filming.

Some of the fine animation work for the missing episodes.

Picture quality wise, episodes three and six of the tale are of a very high quality, and the Vidfire work is very effective. The new animated segments, the first for a BBC DVD release since its successful integration into live action experiment with another B/W story of the Patrick Troughton era, The Invasion, though basic, once again pays rich dividends in the way its used alongside the missing episode’s surviving audio tracks, all miraculously pulled together from a variety of outside recording sources. The overall essence of the missing episodes is nicely, and it’s nice to see Ronald Pickup’s character of the traitorous physician to Barbara and Susan getting some kind of visual reality.

Not a classic story by any means but certainly solid and enjoyable, The Reign of Terror would be regarded as a successful closure to a launch season that had proved a winning hit with the public, and which supremely mixed historical and sci-fi adventure to delight fans of all ages. The story’s closing scenes and overtrack final words from Hartnell send us back into the stars, promising many more time travelling tomorrows ahead…

One of the animation gallery pages in the Special Features area.

Its great to have the story in the best presentation possible, but no BBC WHO DVD would be the same without the accompanying dedicated extras. Thirty-two minutes of material comprise this worthy single-disc release, including a packed audio commentary from actors Ronald Pickup, Carole Anne Ford, Patrick Marley, Neville Smith, Geoffrey Wickham, Caroline Hunt and then Production Assistant Timothy Combe, moderated by Rory Kinnear lookalike Toby Hadoke. Then there’s Don’t Lose Your Head-The Making of The Reign of Terror:  Chris Chapman's enjoyable reflection of what had been a tense time for the show as it concluded its premiere season, with contributors Ford, William Russell and Combe amiably recalling the problems that relatively inexperienced director Henric Hirsch had in bringing the story to life: not used to the complex behind the scenes nature of this evolving series, his frictions with an irritated Hartnell, the limitations of the studio filming, and how Combe critically helped pull things together for the final episodes.

Looking at the animated episodes, there’s a Robespierre’s Domain Set Tour, which takes a fun look at the splendidly realized backgrounds for episodes four and five, and a separate character animation area. It’s a shame, though, that there’s no other behind the scenes documentary on the animators and their excellent work on the project. Perhaps the DVD Team thought that similar ground had been covered with the earlier The Invasion DVD?

Can our heroines be saved?

Plus, PDF materials, information text, an atmospheric colour and black and white episodic photo gallery up to the usual high standards, and then, heading into the seventies, there’s a striking trailer for the next Special Edition release: the exciting and innovative early Tom Baker adventure: The Ark in Space.

Originally one of the last monochrome VHS tape releases back in 2003, The Reign of Terror’s placement on DVD has also put it towards the end of this format’s series release schedule (specifically so that it could include the animation) and near enough to bringing the surviving Hartnell era stories to a close, too, aside from upcoming special editions with extra added value material. Here’s hoping that the First Doctor’s final story, The Tenth Planet, featuring the first appearance of the Cybermen, finally gets a DVD release with a fully animated final episode later in 2013: a fitting release for the Fiftieth Anniversary. If Reign proves another sales success, it must surely happen…


KOOL TV OVERALL STORY RATING: A Vive le Franceshouting 3 out of 5

KOOL TV OVERALL DISC RATING (WITH EXTRAS): A Sacre Bleu! 3.5 out of 5