Showing posts with label DAVID TENNANT. Show all posts
Showing posts with label DAVID TENNANT. Show all posts

Monday, 5 December 2011

KOOL TV REVIEW: ELISABETH SLADEN - THE AUTOBIOGRAPHY


Never to be forgotten: actress, wife and mother: Elisabeth Sladen. Image: AURUM PRESS. Image copyright: DAN GOLDSMITH/DOCTOR WHO MAGAZINE. 




ELISABETH SLADEN: THE AUTOBIOGRAHY

By Elisabeth Sladen (with Jeff Hudson)


Published by AURUM PRESS


Reviewed by Scott Weller


Over the course of nearly fifty years there have been many companions, male and female, to have travelled alongside the legendary Doctor Who in his trusty time and space traversing TARDIS, but few have managed to capture the enthusiasm and love enjoyed by audiences for actress Elisabeth Sladen in her portrayal of spunky investigative journalist and heroine Sarah Jane Smith, who made her mark on the hearts and minds of the series fans old and young, large and small, in the early to mid-seventies, alongside two of the Doctor’s most popular incarnations, and soon becoming the iconic companion on which all others that followed would be judged…

Possessing natural acting instincts and a personal and professional integrity mixed with a mercurial personality, charisma and inner strength, Elisabeth Sladen was a true ambassador worldwide not only for DOCTOR WHO and its fans- of which she shared a unique bond of endearing and enduring loyalty over the years- but also as the star of her own equally popular spin-off series for younger viewers: THE SARAH JANE ADVENTURES. Her loss to us at the young age of 65 this April was a truly tragic blow to her family - of whom she was a totally devoted wife and mother, her friends, and her unceasingly loyal and dedicated fan base. Before her illness, Miss Sladen had completed her autobiography (originally to have been titled WHO’S THAT GIRL), alongside co-writer Jeff Hudson, but, due to work commitments, had not had time to make an overview of it. Now, her husband and soul mate, fellow actor Brian Miller and daughter Sadie, have released the book posthumously, with a final chapter overview covering life before and after her sad passing.

Titled pure and simply ELISABETH SLADEN: THE AUTOBIOGRAPHY, published by AURUM PRESS, here is a highly enjoyable tribute to the remarkable woman and her varied career as an actress, showing us her self deprecating sense of humour tinged with realism. In the book we discover a professional actress and very private person who quietly didn’t suffer fools gladly, but whose life was balanced with a very generous and warm heart.

A lovely foreword from ex-Doctor David Tennant, who grew up as we did watching Sladen as Sarah, nicely sets up our introduction to the life and work of the actress. Born in Liverpool in post-World War II Britain, young Sladen’s growing up is a fun and sprightly period in which she is bitten by the “performing arts’ bug at a very young age, if not as a job to earn money but for the pure enjoyment of it all. With such enthusiasm for her career start, its great to see that there are so few bleak moments in the book-her journey as an actor and the difficulties of getting regular income starting out are in themselves the main pitfalls- struggles most actors have to be prepared for and overcome in the choice of their career profession.

Sladen, at the BBC in 1973, undergoes a publicity photo call for Sarah Jane Smith's introduction to DOCTOR WHO. All WHO series images: BBC.

Adoring her time in the theatre, despite all the hard work and dogs body tasks often involved in her position as assistant floor manager, and after years watching all the great stage heroes she admired, Sladen would go on to work/act alongside some of Britain’s rising stars, and then into the world of commercials and popular TV, in shows like SOME MOTHERS DO ‘AVE ‘EM, police drama Z-CARS, a stint on long running British soap opera CORONATION STREETY, and finally to DOCTOR WHO, where she would prove so well cast by Producer Barry Letts as Sarah Jane Smith: strong willed and often fearless investigative reporter for the Metropolitan magazine. Sarah was both gutsy but vulnerable in equal measure, and played in a believable and appealing way by the actress. Thrilled to be in a major TV series success, Sladen’s thanks and affection for Letts shines throughout both the book and her career. Quickly having to adapt to the new series and her character within a matter of weeks, Sladen, never a sci-fi fan, would soon find herself working against the curly white haired, beaky nosed charisma of Jon Pertwee as the Third Doctor. And it was an all-important relationship that didn’t quite get off on the right note, as she soon found the actor/entertainer, despite his spirited heart, often very generous nature and all round adventurous zest for life, a bit too much of an overpowering personality in her nervy early days- often unconsciously rubbing her up the wrong way- of whom she would have an on, off and on again relationship with over the years to come.

Despite those sunrise anxieties getting into her character, getting used to the series and working with Jon Pertwee, Sladen soon proves that she is no shrinking violet, and certainly comes across as a spirited little spitfire starting out, and projecting a lot of her personality into the character as it made its evolutionary first on-screen appearance in the 1973 filmed story The Time Warrior. Soon proving popular with audiences in her new series co-lead role, viewers enjoyed her projection of confidence, humour and fear as Sarah Jane Smith, where, despite the restrictions of the shows often punishing filming schedules on location and within the studio confines of the BBC, she managed to inject further nice little touches of character and humanity as the series progressed.

Sarah Jane's first adventure with the Third Doctor saw her do battle against a Sontaran in The Time Warrior.

Fortunately, her one season stint with Jon Pertwee, who unhappily left the show when he felt he wasn’t being supported enough by the BBC management, would give way to the Time Lord regenerating into the incredible presence that is Tom Baker, whose fedora hat, unending bags of Jelly Babies and lengthy multi-coloured scarf would soon help propel him into the TV screens of millions of devoted households, quickly getting used to his new, often alien, portrayal.

Helping the new Fourth Doctor- Tom Baker- settle in during his debut story: Robot.

And it was at this point that Sladen, no longer the new face on the show, became more comfortable in her surroundings and relished the chance to bring further new personality facets to her character whilst working with Baker - here was an almost symbiotic relationship of trust and respect both on and off screen between the pair. At first insecure in inhabiting the role- a true actors dream part of success and creative instinct- Tom quickly found Sladen- a fellow Liverpudlian- to be an amazing lifeline of support, of which an endearing/enduring friendship soon blossomed: a cohesive team ship during his new career as the Time Lord for the next generation and beyond of fandom, whilst Sladen, who had once been insecure about her future with the departure of Pertwee, gained a new and trusted friend and confidante-the pair soon becoming series and seventies icons to the nine million people who tuned in every Saturday mid-evening to be both entertained and scared by their incredible adventures, and who loved watching their on screen pairing/bond of friendship and trust that sadly exists in all too short supply in real life: a perfect friendship/relationship that many men and women can only dream of having, and perhaps another reason why both her and Tom Baker have endured so affectionately in WHO within the public consciousness for so long…

Sladen and Baker: an unbeatable ratings winning duo during the seventies.

It’s at this point in the book that it quite easily becomes one of the best behind the scenes looks ever at the classic series-showing us its good and bad moments at the height of its popularity in the seventies, with some terrific anecdotes on every story that Sladen was involved in during her three and a bit years on WHO, including a look at the classic scenes she shared with the Doctor(s), her various looks and costumes (including that Andy Pandy costume!), filming the action and adventures sequences, the numerous monsters she would appear with (including classic like the Daleks and the Cybermen), and the actors who brought them to life, plus the everyday things that entailed when being in one of the most popular television series of all time. Additionally, there’s the way the show has evolved and changed over the years, too: its two distinctive life cycles in the entertainment industry, of which her original lengthy stint on the series would quickly be remembered and appreciated for years to come with the arrival of the home video and DVD markets worldwide plus the sudden boom time of the Internet, where classic WHO would become even more sustainedly popular, resulting in Sladen’s tenure on the show gaining further appreciation and enjoyment. There’s also her eventual return visits to the show in its later years, plus the infamous K-9 AND COMPANY special which, despite her original high hopes for, she now completely loathes and regrets doing. Though her work on that one-off 1981 special would eventually lead to a new lease of life for her character, alongside the occasional return of the successful robot dog, in the C-BBC spin-off THE SARAH JANE ADVENTURES in the mid-2000’s.

Though not a dog lover, Sladen would work with an Alsatian and K-9 in the singular K-9 AND COMPANY spin-off.

Deciding it was best to leave at the top of her WHO status, Sladen, always instinctively knowing how to navigate her life and career, would do exactly that in her memorable finale story of the shows 1976 fourteenth season: The Hand of Fear. Intriguingly, with her departure, the actress never quite understood why she had proved so popular in the role of Sarah–an occasional persistent thought that would echo on at times through her career and her time beyond WHO: in many ways she thought of it as just another job, but with the passage of time her perspective on the character and the shows success would change for the most part once she met the series worldwide fans.

With WHO, temporarily at least, out of her mindset, Sladen then headed off to fresh pastures including radio work, other types of children’s programmes and dramas here and there, plus a return to some stage projects. These later roles may not have been as high profile in the public eyes, but to Sladen they would prove a period of great enjoyment and creative freshness before she and her husband decided to start a family: enter Sadie Miller!

Sladen would return to WHO for its Twentieth Anniversary in 1983: The Five Doctors.

Despite not wanting to re-appear full-time in Classic WHO’s final years, Sladen would partake in numerous related events and projects, like the fun family jaunts she often had whilst making worldwide conventions and meeting the masses of fandom springing up in the eighties. Plus there was her warm re-unitings with many of her co-stars, as well as other legendary people who had acted or been involved in the show’s making, its various spin-offs and the like.

Sarah Jane would return alongside new Tenth Doctor and K-9 for several adventures. Image: BBC/RADIO TIMES.

“Retired” from acting so as to continue raising her family, and having mildly shirked off her talents as an actress, Sladen’s eventually return to the WHO fold would be in the then hotly anticipated episode for the new series: School Reunion, with David Tennant now starring as the series Tenth Doctor. At first sceptical and wary of how the shows producers might treat her character-of whom she was incredibly protective-Sladen was soon convinced into doing it after meeting and trusting its then show-running producer and main writer/show runner Russell T. Davies. Despite early nerves and worries that her performance might be off-kilter with the film-makers requirements, the episode would quickly prove a terrific career choice that would change Sladen’s life for the deserved better for the next six years to come…

Back in business, Elisabeth Sladen would be the star of her own series: THE SARAH JANE ADVENTURES...
...of which Eleventh Doctor Matt Smith would soon make a welcome appearance.

Initially very wary of coming back to new WHO and preparing herself for a critical backlash for her performance- which ultimately didn’t happen-Sladen’s return as an older, lonelier Sarah Jane Smith- re-discovering her life and times with the Doctor who once left her- was much welcome by audiences and industry critics alike, of which her particular tear-jerker episode would be praised as one of new and Classic WHO’s best stories. From such great building blocks would come Davies idea for a spin-off series for younger viewers, which would be totally devoted to Sladen as Sarah Jane, and where she would quickly become a hero to children all over again, years after her original time on WHO, in a lively show that also saw in further new character development for Sarah Jane as she became a mother-hen protectorate to the show’s young supporting cast family. In her final years on the hit show, which she would be working on right up to her tragic passing in April 2011, Sladen would be delighted by the response and awards the show received from its dedicated viewers, as well as continuing to enjoy meeting her young fans at convention events.
Outside of her acting career, Elisabeth Sladen would be a devoted wife and mother.

As the news travelled the world on April 19th 2011 that Elisabeth Sladen was no longer with us, I still, even now with the passing of time, find it hard to believe that she’s gone. She possessed the kind of vitality and warmth that I thought would be with us for a long time to come. WHO scribe, and fellow series legend, Terrance Dicks recently observed her quiet dignity and independence as a person: elements which she brought into her character beyond her scripted words. These qualities can also be found within her book, of which she’ll live on in our hearts and minds forever…

ELISABETH SLADEN: THE AUTOBIOGRAPHY, which also bears a lovely treasure trove picture selection of her family and career, is a fitting tribute and testament to the much-missed actress and the life and profession she clearly enjoyed being a part of. It provides us with a remarkable portrait of a loving wife and a devoted mother, who also happened to play one of television and DOCTOR WHO’s most accomplished and beloved characters, of which her indelible mark in entertaining viewers young and old will remain long assured…


KOOL TV RATING: 4 out of 5

Friday, 5 August 2011

KOOL TV BABE OF THE WEEK: "DOCTOR WHO"s BILLIE PIPER




The first, and best, of the modern DOCTOR WHO companions: Billie Piper as Rose Tyler. Image: BBC.
When I originally heard the news that teeny-bop pop star/then married boozy ladette to TV and radio personality Chris Evans, Billie Piper, had been announced as the new companion, Rose Tyler, in the re-imagined series of the BBC's long running and iconic sci-fi adventure series legend, DOCTOR WHO, I was initially very wary about the choice, and the very cynical part of my soul had lingering criticisms that her appointment to such an important series role was stunt casting by the series producers of the very worst kind. However, my doubts about the young actresses capabilities- having then made a favourable impression with TV critics just prior to WHO's start in the drama series CANTERBURY TALES- were soon completely blown out of the water by her inhabiting of the role, and her warmth of personality within it, giving Rose from the get-go equal amounts of curiosity, verve and spunk as she and her character shared their first major appearance on our TV screens, backed up with an enthusiastic and pure thirst for adventure, a steady, if a little unsure at times, heroism and an all-round likability. Here was the first new companion of the series, ands what a winner she was, importantly giving fans old and new watching the revitalised, now smash hit audiences/ratings winning show a great deal of viewer identification and relateability, as well as strong charisma- a smart and ebullient kind of intergalactic spanning/time travelling Eliza Doolittle, discovering herself and what she can do beyond the once dreary confines of her Earth existence in a run down flat in the Elephant and Castle, gaining tremendous self confidence and enjoying the ride of her life opposite the last of the Time Lords: her friend, and later love, The Doctor, now played in his Ninth regenerated form by acclaimed character actor Christopher Eccleston, a superb series lead and just as impressive- an equally big thumbs up for his casting (well, not so much casting, as the actor actually asked writer/producer Russell T. Davies straight off the bat if could play the part in this new interpretation). From helping modern day Earth defeat numerous invasions from aliens like the Slitheen, going back in time to fight a werewolf and save Queen Victoria in Victorian Scotland, swapping bodies with The Doctor for comedic effect in a zombie packed futuristic medical facility, to coming face to face with the almost invincible Daleks, and fighting the literal interpretation of the Devil at the end of the universe, Rose and the now regenerated Doctor (his Tenth incarnation as played by the world popular David Tennant) would become an invincible, almost inseparable, pairing, that is until the Season Two finale, where things would turn sour at the end of their road together with the return of the dreaded silver nemeses, the Cybermen. Heartbreakingly for the audience, the pair, winning the battle,would be accidentally and tragically separated from each other by the walls of closed off parallel universes...



Season One: Billie Piper as Rose with Christopher Eccleston's DOCTOR WHO.



Season Two: Enjoying some 1950's time travelling with new DOCTOR WHO, David Tennant.
Rose Tyler compilation clips: The Doctor and Rose - A Tribute‬‏ - YouTube




Billie as young Victorian era adventuress Sally Lockhart in The Ruby and the Smoke. Image: BBC.
Two series into the run, and wanting to expand her acting character (her pop career previously traversed her early Thespian career plans), Miss Piper wisely left WHO as a long-term series role, though she would return to the series that made her a star for several appearances on and off during Tennant's final season, which would delight fans everywhere. She'd then confidently go on to be the lead star of her own successful mini-series: in two equally ambitious, feature length BBC productions of author Philip Pullman's popular Sally Lockhart mystery dramas set in the dark and dangerous world of Victorian London: THE RUBY IN THE SMOKE, followed by THE SHADOW IN THE NORTH (and starring opposite the very young Eleventh DOCTOR WHO to-be, Matt Smith!), plus some more noted period drama in ITV's equally glossy MANSFIELD PARK adaptation, as the romance-led Fanny Price, from Jane Austen's novel, followed by her controversial four season stint as the up for it, no-inhibitions call girl, Belle/Hannah, in the late night adult drama THE SECRET DIARY OF A CALL GIRL, based on the sexy blog memoirs of a British escort, for years known only as Belle De Jour. The first series of SECRET DIARY, showcasing Piper in a role far, far removed from the family friendly fantasy worlds of Rose Tyler in WHO, would turn out to be a big hit, not just for ITV in the UK but in America, too (on the SHOWTIME network. Trailer: ‪Secret Diary of a Call Girl: Trailer‬‏ - YouTube), resulting in Piper staying on for a further three seasons, probably, unwisely, going two seasons more than she should have (though I'm sure her male admirers worldwide were perfectly happy that she took the plunge for so long in the role. If anything, the series, and her participation, helped British TV sales worldwide, so Miss Piper was doing her bit for her country!).



Making her mark on London promotional posters as Belle in THE SECRET DIARY OF A CALL GIRL. Image: ITV.
Last seen in 2010's A PASSIONATE WOMAN (playing an ahead of her time young woman in an adulterous affair, whilst living within the difficult and turbulently repressed era of 1950's Yorkshire), and now presumably, carefully, looking/ waiting for the next big and right roles to come along, the actress, currently married to LEWIS series actor, Lawrence Fox, and now a very happy Mommy, will surely return to our film and TV screens in the not too distant future...



As Belle, against a London backdrop, for a US promotional image for the SECRET DIARY series. Image: SHOWTIME.
Season One of the modern DOCTOR WHO series is now in weekday repeats on the UK's WATCH channel, and all the seasons are available on DVD from the BBC/ 2ENTERTAIN.


UPDATE: 26/8/2011. It looks like Billie is re-uniting with David Tennant for a new BBC series: David Tennant and Billie Piper reunite for new BBC romantic drama - mirror.co.uk

Friday, 27 May 2011

CELEBRATION DAY FOR "DOCTOR WHO"!

Daleks conquer and destroy! The sixties excitement of Dalekmania returns with the duology of films starring Peter Cushing as DOCTOR WHO. Image: CANAL+

UK fans of the small screen adventures of sci-fi hero DOCTOR WHO, as played by the enthusiastic David Tennant (who, I'm sure has fans still mourning his loss from the show two years back), and on the big screens of the 1960's as played by the legendary Peter Cushing will enjoy the special DOCTOR WHO bank holiday weekend on the WATCH, with its screenings of Tennant's two 2008 specials- the Christmas themed THE NEXT DOCTOR (with David Morrissey guest starring as a possible incarnation of the Time Lord, fighting against the body snatching Cybermen in Dickensian London) and the fun, though hardly classic, PLANET OF THE DEAD, where the Time Lord teams up with the posh jewel thief Lady Christina De Souza (Michelle Ryan) when they and the passengers of a number 200 double decker bus are stranded in the hostile desert wilderness of an alien planet. These two colourful romps of pace and audience friendly excitement were huge ratings winners in their and repeat screenings and, whether older classic fans like them or not, they certainly prove themselves as true examples of Producer/writer Russell T. Davies's final tenure on the show.

Trailers:YouTube - Doctor Who Easter Special: Planet of the Dead - Trailer
YouTube - Doctor Who: The Next Doctor (Trailer)

The two David Doctors-Morrissey and Tennant- fight Miss Hartigan (Dervla Kirwan) and the Cybermen in THE NEXT DOCTOR. Image: BBC.
Tennant of Dubai! The Doctor and one-off companion Lady Christina De Souza (Michelle Ryan) are trapped in hostile climes on the PLANET OF THE DEAD. Image: YESTERDAY. Image copyright: BBC.
Peter Cushing adds humour and heroism as the sixties movie version of DOCTOR WHO. Image: CANAL+

Then there's the equally colourful and exciting Dalek films-DOCTOR WHO AND THE DALEKS and DALEKS: INVASION EARTH 2150 A.D.- produced by horror movie veterans AARU of the sixties, which are adaptations of two previous William Hartnell WHO stories from 1963 and 64- THE DALEKS and THE DALEK INVASION OF EARTH, both originally written by equally iconic Dalek creator Terry Nation. The stories, with many times the production budgets of the BBC adventures, transfer to the big screen well and have acquired a faithful following over the years, and the Daleks certainly look bigger and better than ever for their time. Cushing, who's Doctor isn't a Time Lord but a friendly inventor/Grandfather, is terrific-a perfect choice for the role. Its a pity that the third in the planned movie series never got made.

Trailers: YouTube - Dr. Who and the Daleks (1965) - Theatrical Trailer
YouTube - Daleks' Invasion Earth: 2150 A.D. (1966) - Theatrical Trailer

Paul McGann as The Doctor from 1996. Image: BBC/RADIO TIMES

Finally, as well as a DOCTOR WHO AT THE PROMS special concert devoted to modern WHO series music, there's another chance to see Paul McGann's promising but sadly one-off DOCTOR WHO: THE MOVIE from 1996, which has many of the elements that would be incorporated more successfully into modern WHO series today. It may not totally synch with either the original or modern versions of WHO but, with a fine performance from McGann, its nonetheless an intriguing what could have been exploration...

Trailer: YouTube - Doctor Who: Original 80s trailer for TV Movie starring Paul McGann

Wednesday, 11 May 2011

OPINION: SPOILERS AND MORE SPOILERS!

How to spoil a series secret the BBC way! Image: BBC/RADIO TIMES.

Writer/producer and all round clever so and so Steven Moffat has not had a very good start to the week so far, what with his ramblings and disappointed mumblings about a fan writing and spoiling several episodes of his new DOCTOR WHO series plots online (and in apparently poor English, too! My word!), and before many overseas fans of the Matt Smith starring series have gotten to see them. I share some of his annoyance: I'm personally not a great fan of too many major league spoilers on any films and TV that I like to watch, either, and I do try to avoid them where I can (I even hate giving away too much info in synopsis of old series on the KOOL TV site: for the benefit of those people discovering such classic shows for the first time), but with a series as popular as the modern DOCTOR WHO, airing in an entertainment and communications world now bigger, faster and more sophisticated than ever, plot leaks just cannot be avoided these days. And I'm actually surprised at how much info hasn't come out on the series secrets, either printed or online, since its re-launch....

I'd also like to remind Mister Moffat just how poor the BBC themselves have been with regards to letting out major spoilers which have hurt their own flagship show. Take this little beauty on the cover of the RADIO TIMES listings magazine which went on stands the week before the David Tennant DALEKS IN MANHATTAN two parter. The revelation of the half human/half Dalek was probably the most important part of writer Helen Raynor's story and, as well as being an iconic new moment for the series (both old and new), was carefully structured as the cliff-hanger to part one, where, if it hadn't been leaked appearance-wise, it should have provided audiences with a surprising, wicked, look at that moment that would have hooked viewers into watching next weeks finale, and hopefully attracting even more new viewers alongside them, keen to find out what all the fuss was about (and it desperately needed that hook, too, being, as it was, a sadly disappointing story overall). Having this epic proportions spoiler and the accompanying inside feature in the RADIO TIMES absolutely killed that story stone dead in my opinion, and robbed it of any opportunity of surprise (just so as to sell more copies of the magazine (and no other rival TV publications were sent any images of the creature) instead of thinking about the actual harm it could do to the series itself). That incident, to me, was probably just as bad, if not worse, than one fans online spoilers, and is something Auntie Beeb shouldn't do again....